By Mike Downing
The August Wilson Society, in conjunction with the city of Pittsburgh’s August Wilson Center for African American Culture, is hosting a three-day event, April 26-28, 2018, entitled “Go Back and Pick Up the Ball: An August Wilson Society Colloquium.” The gathering will feature actors, directors, historians, educators, scholars, politicians, poets, members of the local Pittsburgh community, and others “who have been inspired to art and action by Wilson’s charge.”
In attendance will be Smoketown author Mark Whitaker, who is scheduled to address the gathering.
I don’t have specific information as to the nature of Mr. Whitaker’s presentation at this time, but I can provide biographical information that was provided to me:
From Pittsburgh Lectures.org
Mark Whitaker’s Smoketown is a captivating portrait of Pittsburgh’s renaissance of black culture, influence, and glamour from the 1920s through the 1950s.
Today black Pittsburgh is known as the setting for August Wilson’s famed plays about working-class strivers. But this community once had an impact on American history that rivaled the far larger black worlds of Harlem and Chicago. It published the most widely read black newspaper in the country, urging black voters to switch from the Republican to the Democratic Party and then rallying black support for World War II. It fielded two of the greatest baseball teams of the Negro Leagues and introduced Jackie Robinson to the Brooklyn Dodgers.
Pittsburgh was the childhood home of jazz pioneers Billy Strayhorn, Billy Eckstine, Earl Hines, Mary Lou Williams, and Erroll Garner; Hall of Fame slugger Josh Gibson—and August Wilson himself. Some of the most glittering figures of the era were changed forever by the time they spent in the city, from Joe Louis and Satchel Paige to Duke Ellington and Lena Horne.
Smoketown depicts how ambitious Southern migrants were drawn to a steel-making city on a strategic river junction; how they were shaped by its schools and a spirit of commerce with roots in the Gilded Age; and how their world was eventually destroyed by industrial decline and urban renewal. Whitaker takes readers on a rousing, revelatory journey—and offers a timely reminder that Black History is not all bleak.
Original bio source here.
Colloquium information here.